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(See first picture for production credits)
"Special attention has to be paid to Roger Hanna's set... Before the play concludes, something marvelous happens to these portraits that echoes the close scrutiny Monkhouse so successfully gives Mary Broome's crowd.” —Theatermania
"The cast does well with the material but it is Roger Hanna's set, especially the portraits who speak the most silently." —Broadway Theater Examiner